SIDNEY BABY AMHERST COMMON LANGUAGE GUIDE PRIMER

 STARTED OUT, NEGROES WOULDN'T EVEN PLAY PORGY AND BESS:

THEY SAID FUCK THAT HONKY WHITE ASS JEWISH SHIT!

Sidney Poitier: The actor who broke down Hollywood's racial barriers

Wednesday, June 24, 2020

MR GLOBALIZATION THOMAS L FRIEDMAN PINNACLE OF CYNICAL ARTICLE

For 40 years the two countries had an unconscious economic coupling.

The NYT and Thomas L Friedman was and is their Iago for 40 years.

The US, Desdemona.

The Moor of Venice, Blackface China.

Iago's longstanding homo erotic relationship with Othello should be considered outed. The China 69 Project.

The 1619 Project

Wednesday, June 10, 2020

DCONSTRUCTIONIST POSTMODERNISM 101

I TOLD YOU SO: WHAT'S NEXT IN THE DISMEMBERMENT OF THE WEST, SHAKESPEARE? WHY NOT!

Gone with the Wind removed from HBO Max

Why not prohibit Othello?

The Merchant of Venice?

Why not?

Why not remove Margaret Mitchell's Novels from public libraries, and replace them with something more consistent with The 1619 Project, (Plus The Amherst Common Language Guide, and so forth,) which has become curriculum in schools?

In a statement, HBO Max said it would be "irresponsible" to keep the film on its platform without "an explanation and a denouncement" of its "racist depictions".

It said the film itself would return "as it was originally created", saying "to do otherwise would be the same as claiming these prejudices never existed".

The wording of the statement is similar to advisories that accompany Tom and Jerry cartoons and other vintage animations on various streaming services.

• Tom and Jerry carries racism warning

Disney+ also advises its subscribers that some of its older films - among them 1941 animation Dumbo - "may contain outdated cultural depictions".

Friday, May 15, 2020

OTHELLO POITIER PLUMMER ASIDES

Poitier refused even to play Othello.
Edelstein Plummer Interview:
https://www.youtube.com/watch?v=reTF8CMS4lg

Fine. 

Bunch of dumbass negroes then go off objecting to white people playing negroes in blackface. Object to blackface in general, almost impeach the Canadian PM.

James Earl Jones vs Quinn, on Cavett, etc.

Japan wanted Jap actresses for Dr No.
They almost couldn't find any who would work.

China dittohead.

Bullshit.

Saturday, April 13, 2019

JAMES EARL JONES ANTHONY QUINN BULLSHIT RACE CONTROVERSY CAVETT

Jones played the race card on Quinn, re Quinn portraying
Haitian Emperor, Henry Christophe.
Dick move.

Cavett egged him on.

Prig Cavett. Or Cavett Prig. Whichever you prefer.

Friday, May 15, 2020

OTHELLO POITIER PLUMMER ASIDES

Poitier refused even to play Othello.
Edelstein Plummer Interview:
https://www.youtube.com/watch?v=reTF8CMS4lg

Fine. 

Bunch of dumbass negroes then go off objecting to white people playing negroes in blackface. Object to blackface in general, almost impeach the Canadian PM.

James Earl Jones vs Quinn, on Cavett, etc.

Japan wanted Jap actresses for Dr No.
They almost couldn't find any who would work.

China dittohead.

Bullshit.

Friday, May 15, 2020

TERMS SEARCH

James Earl Jones, Sidney Poitier, Anthony Quinn, Christopher Plummer, Ray, Oberon, You Only Live Twice, Trudeau, blackface, whiteface, black eunuchs

Thursday, May 30, 2019

YOU ONLY LIVE TWICE SHOOTING IN JAPAN VERY VERY KEEN ON US USING REAL JAPANESE GIRLS

HELLO.

Documentary.

HITLER SCREWED STALIN ON THE NON-AGGRESSION PACT WHY SHOULDN'T PUTIN SCREW XI ?

 Guess what: The BRI across Southern Eurasia won't be in Chink hands forever!

Diamonds Are Forever.

Trust me.

NYT GLOBAL MELTING POT MINORITARIANIST SLAMS MINORITARIAN BIDEN AS WORST PRESIDENT IN 70 YEARS

DAVID REICH QUESTION: AMHERST COMMON LANGUAGE GUIDE

 WHY DID MODERN HUMANS ALMOST NEVER RETURN TO AFRICA?

ANSWER:

THEY DID, COUNTLESS TIMES, AND ALWAYS, ALWAYS, 

WERE KILLED, AND EATEN, NOT MATED WITH, 

AT OR NEAR THE BORDER OF THE DARK CONTINENT.

THEY EVENTUALLY BROKE THROUGH AND MATED, 

BUT IT WAS LATER, 

AND NOT SO UNIVERSAL A DISPERSION/REPLACEMENT.

NEANDERTHALS: THEY LEFT NO TRACE DIRECTLY OF HOLIDAY TRIPS INTO AFRICA.

GREAT USE FOR BIKES! AMHERST COMMON LANGUAGE GUIDE

 COUNTRY SHAMING: 

NIGERIA IS ONE ROTTING HUNK 

OF PERMANENT ETERNAL SHIT.

NOT WHITE STOOGE STOKELY ORIGINAL SIN, 

ORIGINAL ORIGINAL DARK BROWN, DING AN SICH, SHIT.

Nigeria motorbike gang attack: Death toll rises to 200

SUNDAY MORNING SUDAN BLACK MUSLIM AFRICANS

 

THEY EAT FOOD WITH THEIR BARE RIGHT HANDS, SEE TWO FINGERS.

THE OTHER HAND DOES THE OTHER.

COUNTRY SHAMING: 

SUDAN PEREMANENT ETERNAL

AB INITIO  

PIECE OF SHIT

NYT 5 BIG QUESTIONS FOR THE POLITICAL YEAR

 "...THE ENORMOUS IMPORTANCE OF THE MINORITIES QUESTION FOR BRITISH PUBLIC OPINION." WEAK WESTERN DEMOCRACIES, 1937

BRITAIN VERSUS FRANCE RE CZECHOSLOVAKIA, WEINBERG, V. II, P. 327.

Inflation isn’t the only reason Biden is one of the most unpopular presidents in 70 years, with an average approval rating of just under 43 percent. He is also struggling on crime, government spending, immigration and taxes in recent polls.

NYT CAN SLAM BIDEN, AND PROMOTE OPEN BORDERS AND BLM 1619 GLOBALLY, EVERYWHERE, AT THE SAME TIME: 

 "...THE ENORMOUS IMPORTANCE OF THE MINORITIES QUESTION FOR BRITISH PUBLIC OPINION."

BIDEN IS A MINORITIES CHOICE.

BENES BIDEN

CLASSIC RE DESTABILIZING FROM WITHIN SAMANTHA POWER DK

Saturday, March 26, 2011

Post-modern foreign policy

Thursday, August 11, 2016

A few thoughts on where we are going

"... Indeed, important elements within our leadership remain committed to the fantasy of popular upheaval leading to more democracy in the Middle East.  This is the theme of an article in the current New York Review of Books (which unfortunately is available to subscribers only) by our UN Ambassador, Samantha Power, who wants us to do more to show that we are on the side of oppressed peoples and against their governments. She specifically calls on our diplomats not to spend so much time dealing with their host governments--always their primary function--but instead to engage with the people.  "This should include building relationships not only with well-known civil society organizations," she writes,  "but also with groups like teachers’ associations, workers’ unions, and leaders in the business community—and not only with the vocal majorities, but with the minorities who are harder to find and hear. This kind of engagement demands a greater investment in our diplomatic efforts at a time when many governments—including the United States—are facing significant pressure to scale back the resources they dedicate to investments overseas, and to cloister diplomats in fortress-like embassies in the parts of the world where such local connections are actually needed most. So leaders must make the case to the public not only for why we cannot isolate ourselves from these problems, but also why we must widen the scope of our diplomatic engagement as a national security imperative."  With large portions of the world sliding towards anarchy and suspicion of American motives higher than ever, this is a recipe for disaster, not least among the people whom Power wants to help.

"Power, essentially, is clinging to the Hegelian vision that has seduced the US foreign policy elite since the fall of Communism, the idea that western values are now destined to triumph everywhere and that we can easily hasten the process. ..." DK

Friday, August 29, 2014

At sea abroad

Thursday, March 31, 2016

Obama and Eisenhower

Sunday, September 01, 2013

Syria, Part II

Sunday, July 27, 2008

Surveying the future

SOME LONGER WORDS IN THE IRISH LANGUAGE AROUND 1500 AD HIGHLY INFLECTED

 

IRISH GROUP CONVERSATION

BLM 1619 IS BOOTSTRAPPED ANTI ANTI SEMITISM BEHIND THE MASK

 IF YUR GUILTY OF THAT, AS Y'ALL ADMIT, 

THEN YUR REAL, REAL GUILTY OF THE OTHER.

THINK OF IT AS THE SIN OF WHITE CAPITALISM GOING JUST A LITTLE FARTHER BACK THAN 1619, 1660, OR 1688, 

ALL THE WAY BACK, TO THE TIME OF ROME AND THE COLISEUM. 

IT'S EASY, ONCE YOU BOARD OAKES' WAYBACK WHIG  TRAIN, 

GOING BACK BACK BACK IN WHIG TIME,  SALVADOR DALI TIME,

JUST NOT GET OFF TOO EARLY!

MATTER OF FACT, WHY NOT GO ALL THE WAY, WHOLE HOG,

BACK TO DAVID REICH'S INDO EUROPEAN RAPE OF INDIA! 

WHIG PRE RIG VEDA  TIME, CIRCA 4,000 YEARS AGO ?

TAR BABY MINORITIES, CZECHOSLOVAKIA, SELMA, PALESTINE,  TIMBUKTU, DELHI, TOKYO, SHANGHAI, OR ROME.

Friday, January 7, 2022

THE ORIGINAL SIN OF WHITE FOLKS WAS NOT THE ORIGINAL BLM 1619 SELF CONFESSED WHITE STOKELY STOOGE INSTITUTIONAL SYSTEMIC SIN AGAINST FRICKING NEGROES

 The sin Jake and the NYT is really alludiing to, behind the mask, behind the fricking negro stooge Punch and Judy negro slave carney gypsy curtain, is the sin against the Jews by white gentiles for 2,000 years, not since chicken shit 1619 Whig historian bullshit.

This post is dedicated to Jackie Mason.

GREAT JUICY CHUNKY HISTORY WRITING

 See especially Weinberg, V. II, go to "The Crisis over Czechoslovakia, Part 1".

He slams not only Keynes, but other globalist pussies in W Democracies, especially the legion of pussies in London.

OFFSHORING MY STYLE GILLIGAN'S ISLAND STYLE

 

Denmark frees suspected pirates in dinghy in Gulf of Guinea

TERMS SEARCH: 

OFFSHORING, OFFSHORING ECONOMISTS

THE ORIGINAL SIN OF WHITE FOLKS WAS NOT THE ORIGINAL BLM 1619 SELF CONFESSED WHITE STOKELY STOOGE INSTITUTIONAL SYSTEMIC SIN AGAINST FRICKING NEGROES

 The sin Jake and the NYT is really alludiing to, behind the mask, behind the fricking negro stooge Punch and Judy negro slave carney gypsy curtain, is the sin against the Jews by white gentiles for 2,000 years, not since chicken shit 1619 Whig historian bullshit.

This post is dedicated to Jackie Mason.

THINK OF AMERICA AS SORT OF A WHOPPING BIG BUTT UGLY CZECHOSLOVAKIA

 PLACE IS FILLED WITH DUELING FUCKS, CZECHS, SLOVAKS, GERMANS,  MAGYARS, AND OTHER FUCKS, ALL RIGHT AND PROPERLY HATING EACH OTHERS' FUCKING GUTS FOR MILLENIA.

Gerhard Weinberg candycoats it a little for his well heeled reading audience.  V II, p 319, etc. I don't have to do that here.

Ask the Czechs how they would feel about reparations for their negroes for European colonial abuse of Africa negroes, 

or whether they wouldn't like to pull together pensions for two millenia of abuse of their fricking silver spoon Jake Silverstein Jews in Europe and elsewhere! 

See what they fucking say, in their garbled gutteral grunting vernaculars.

There are plenty of butt ugly places in Europe, not just Africa, India and Asia, which are brimming.

Why not just start going down the list!

RAY ARSENAULT: FOLKS COME TO FLORIDA WHO COULDN'T MAKE IT ANYWHERE ELSE

 I agree with this idiot about that.

Totally fucked up state, among a constellation of fuck up states.

He's is a big fan no doubt of the 1619 Project, Jake Silverstein, NYT, mierda like that.

He thinks the Civil War was fought to free the negroes and give them a good permanent equal living at Southern only white peoples' expense. The White Man's Burden, Northern man style.

They were not to be Northern whites' responsibility really, and were kept the hell out of there for the longest possible time imaginable.

The globalist left faking you out as an American patriot.

A "lefty" Floridian.

ALL POPULATIONS OF COLOR WERE HUNKS OF ROTTING SHIT BC AND AC AND BW AND AW

BEFORE COLONIALISM
AFTER COLONIALISM

BEFORE WHITES
AFTER WHITES

All countries in Africa, states in India, and almost all of Asia, hunks of rotting shit, whites or no whites, white or Muslim or Mongolian colonialism or not colonialism, before whites and their chicken shit colonialism or after it, back into prehistoric times of these hunk of shit areas.

In europe itself, Ireland, Scotland to some extent, was a hunk of savage bestial rotting shit, into modern times, late Middle Ages.

RECENT SELFIE

 

My asperger syndrome son took this. 

He is very talented in his way.

DJOKOVIC SETS FOOT IN AUSTRALIA

 

AUSTRALIA COULDN'T MANAGE A TWO CAR FUNERAL

 COUNTRY SHAMING, BABY!

I'D RATHER BE BOSSED AROUND BY FUCKING SOUTH AFRICAN NEGROES THAN FRICKING AUSTRALIANS!

AND TRUST ME, SOUTH AFRICA IS UTTERLY FUCKED UP FOREVER!  PIECE OF DOG SHIT!

VIEWERS LOVE THIS BUTT UGLY POST ENJOY AGAIN AND AGAIN

 

Sunday, August 9, 2020

FACIAL SLUR

BUTT UGLY

AUSTRALIA NEEDS TO LAND ON ITINERANT TENNIS PLAYERS AND OTHER ATHLETES LIKE A TON OF BRICKS!

 Australia has said it is investigating the visas of other foreign tennis players, after detaining Novak Djokovic in a chaotic vaccine row.

Novak Djokovic saga: Australia investigates visas of other tennis players

I AM FOR AUSTRALIA DEPORTING ALL ITS TAKEOVER CHINKS, COVID OR NOT!

MORATORIUM ON CHINKS MOVING INTO AND TAKING OVER  AUSTRALIA.

SUCCESSIVE PIG'S BREAKFAST WHIG INTERPRETATIONS DOWN THROUGH HISTORY

To the victors go the slops:

 Modernism was yesterday's slop.

Postmodernism, todays Silverstein menu.

1619 DK POST

 Unfortunately, most of what the 1619 Project got wrong is not just what Oakes says, but other things besides.....

Further, the NYT had gotten almost everything wrong in its prior project Oakes refers to, "Disunion".  

I am not going to go back through this line by line.

The Civil War was fought, after the Republicans took power, to keep the white northern racist Republicans in power for as long as possible (70 fucking years!). It was not about being nice to or freeing negroes ever, ever! Read Lincoln's White House meeting with free negroes transcript. Read my lips.

Professor

As PJCats' remarks begin to suggest, Oakes is apparently a classic modern Whig historian, criticizing another Whig account, the NYT 1619 Project, a postmodern Whig, account.

This is Whig modern versus Whig postmodern intramuralism, all utter nonsense really.

All the best

Tuesday, January 04, 2022

A thorough critique of the 1619 project

Exactly a month ago, I did a post critiquing the defense of the 1619 Project that Jake Silverstein of the Times published to commemorate its new book version. An historian of slavery and the Civil War period named James Oakes has now published this extremely telling critique of the whole project on a fairly obscure, traditional leftist web site called Catalyst. Oakes brings to bear a lifetime of study of the issues involved and a real command of the literature on the politics and economics of slavery that has been written over the last century. I recommend to all interested readers that they read the long piece in detail, but I will summarize what he had to say quickly.

1. The centerpiece of the project--the idea that the it presents a new view of slavery that has only emerged since black scholars got their seat at the academic table in the last few decades--is ridiculous, and an insult to earlier generations of white and black scholars who in fact had investigated the same issues very thoroughly. Some of the project's arguments have already been raised and rejected based upon evidence.

2. The project is political, not historical or even journalistic, presenting a very slanted view of history designed explicitly and admittedly to bolster a case for reparations for black Americans.

3. The project's assertions about the importance of slavery to the pre-1861 American economy are badly overblown, and the sources that the authors cite often do not bear them out.

In a similar but much less wide-ranging criticism of the 1619 Project, the historian Sean Wilentz recently detailed how difficult it had turned out to be for him and other skeptical historians to register their concerns in a mainstream historical journal. This piece was published on a web site in the Czech Republic. Oakes's piece should be coming out in the New York Times Magazine as a full-scale rejoinder, or in the New York Review of Books or the American Historical Review or the Journal of American History--but it isn't. The critics, who include some of our most eminent and accomplished historians, are being marginalized, while the book version of the 1619 project has shot to the top of the New York Times best-seller list. That is another reason that I am linking this article and asking readers to circulate it further. We need to make clear that this new imperial regime has no clothes.

WHY NOT TODDLERS SUING 100 COUNTRIES FOR CLIMATE CHANGE

 

BBC

COP 26: The teenagers suing 33 countries

ED GILLIAM PORTRAIT CHARGER

 

ED GILLIAM RETROSPECTIVE

 

uesday, February 27, 2018

ED GILLIAM ART ARTICLE

Drawn to Clay: The Pottery of Ed Gilliam

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By: 

Thomas E. Scanlin

In 1994, I attended the first show of Steve and Amy Slotin's Folk Fest in Atlanta, Ga., in pursuit of good "Old Master" self-taught works of art. I had already collected this type of art for approximately 15 years and was hoping to find something really special at this show. As was my custom, I was determined to walk through all the booths before deciding on anything to purchase. About two-thirds of the way through I walked into the booth of a local shop, American Sampler, owned by Carrie Gilliam and her mother, Sandy.
I was quickly scanning the interesting and well-stocked inventory and was about to move on when I noticed a small group of pottery almost hidden in the corner. I have never thought of myself as a pottery collector, but I had purchased a few unique pieces on occasion. I took a few steps closer, and then it came into focus – a pottery charger that would change my collecting life forever. I was riveted, dumbstruck at the masterful handling of the sgraffito (Italian, "to scratch") decoration that turned a plain, slightly oversize plate into a work of art. It was, in fact, a leaping warthog with a full moon behind it executed with the detail and finesse of a Durer etching. The only other decoration was a single line of text, "Welcome, but close the gate."
This annotation reminded me of the early (and therefore more restrained), Howard Finster work that has always fascinated me. To this day, “Welcome, but close the gate,” often runs through my head like a bit of Haiku. A mystery to be pondered and hopefully solved. On one level it speaks a great truth: You are welcome here, but just as we as hosts have a responsibility to you, you also have some responsibilities as a guest. Welcome, but close the gate.

As I was standing in the booth, I noticed that everything around the charger had gone into a soft focus, like a romantic film scene with a beautiful 1940's movie star. As a collector I can say that this has happened a few times over the years when I have been confronted with life-changing art work. It was a sign, a gift from above. I seized the plate and held it like it was my first born. I could not leave the booth without it.
I asked about the artist and was told that he was the dealer's father, Ed Gilliam, and that he had just started making pottery. Now, 20 years later, (and more than 100 chargers in my collection) I am determined that the rest of the world should have the chance to see a portion of Gilliam's body of work. And to that end I have been lending his work for various one-man shows.
The latest installation, on view October 23, 2014 to January 18, 2015, was in the Gallery at Paradise Garden, Howard Finster's epic environment in Summerville, Ga. I think that this is appropriate since Finster always encouraged other artists to create, inviting them to display their work in the Rolling Chair Ramp Gallery in Paradise Garden for all the world to see.

Ed Gilliam is a complex individual with the manners of a highly refined southern gentleman, who gives himself free rein to express himself in his artwork. He was born in Richmond, Va. on September 12, 1930 (a date he often inscribes onto the back of his plates) to an old-line Richmond family. He then moved to New York as a young man, living there from 1956 to 1973. Perhaps this helps explain his dichotomy of quiet demeanor and riotous imagery.
As a child, Gilliam was encouraged to paint and draw. He did his first watercolors at the age of six and took drawing classes from a local artist in his teenage years. Not having any money to pay her, he cut her grass in exchange for his lessons.
But as is often the case, growing up, making a living, getting married and having children left little time for art. He made one painting the entire time he was in New York – a beautiful and moody abstract using a silver metallic paint as the base color.
In 1973, he moved with his family to just outside Atlanta, Ga., where he has lived ever since, having careers as a CPA and as an attorney. Gilliam has also been a principal in a few businesses, including owning nine shoe stores named C. Edgar Ladies Shoes, before retiring and then starting his current career as an artist.

Like Finster, Gilliam was 60 years old when he started making art again, this time with clay. He taught a figure-drawing class at The Roswell Visual Arts Center in exchange for a basic clay class and studio space in Clay West, a branch of that arts organization, and in the humble manipulation of mud he found his muse.
Gilliam does not consider himself a potter but he does use the clay plate form simply as his "canvas" – a friendly surface on which to draw. The fired clay is something more sturdy and tactile than paper but not as formal as canvas. He is free to indulge his whimsical side with this form and will often use the round shape to great advantage in his compositions.
When I look at one of his chargers I feel like I am seeing a snapshot of a story, if I could just figure it out. It’s a sort of cross between Hans Christian Andersen, Howard Finster and Stephen King. Human and non-human figures usually share space (and occasionally body parts) with animals, insects, birds and fish. Often his male figures are thinly veiled self-portraits.
His later work seems to suggest an acute awareness of his own mortality. But with his art he ultimately seems to want to assure us that in the end things will be all right.

Like Finster, he is inclined to use the written word on his art work to instruct us with moral lessons, poetry or simply thought-provoking ideas. In Gilliam’s case those words and phrases are sometimes written in Latin or Sanskrit but with a handy English translation written on the back of the work. His series “Vocatus atque non vocatus, deus aderit,” which loosely translates to “Called or not called, God is always present,” is a way of reassuring us (as well as himself) that no matter what, God is always there for us.
While these writings often reference the drawing, he also refuses to limit this added text to exclusively relating to the images on the plate, reasoning that beautiful words can stand alone. And occasionally images stand alone with nothing written on the front of the piece. He often relies on a slightly subdued shock value to make the viewer wonder about what makes this reclusive artist "tick."
When one looks at Ed Gilliam’s art one sees the work of a master storyteller and sometimes trickster, traits often admired in Howard Finster as well. For a limited time, visitors could see the stories and lessons of this unique artist and Georgia treasure, Ed Gilliam, in Howard Finster’s Paradise Garden setting.

THE CRISIS OVER UKRAINE WHAT MAKES A NATION ATHENS SPARTA ISRAEL JUDAH

ELLISON CARSON OMAR TLAIB: KAMALA, BABY!

 HINDI KAMALA WOULD AUCTION MUSLIM DEMS OFF IN A HEARTBEAT

Bulli Bai: India app that put Muslim women up for sale is shut. BBC

HINDUS LOVE TO PUT MUSLIMS UP FOR SALE IN HINDU LAND:

 

 I AM ALL FOR IT, VERY HINDU!

Bulli Bai: India app that put Muslim women up for sale is shut. BBC

RE THE CRISIS OVER UKRAINE DK POST

Professor

Great fast moving squib.

Let's just take sentence one.

"The crisis over Ukraine, which threatens to escalate into a confrontation between the United States and Russia, and the even more perilous potential crisis over Taiwan, stem from conflicting goals and world views among the three leading powers in the world, the US, Russia, and China..." DK

I have long thought that there is a Russia China strategic alliance.

Your remark makes it seem as if their interests, in such matters conflict in matters you mention, say, Ukraine and Taiwan (or Hong Kong, for that matter).

In my judgment, they do not conflict.

I don't get security briefings, just read the news!

All the best

Professor

This one is also the received view: "The United States made its entrance on the world stage in 1917..." DK

My view is that the United States made its entrance on the world stage in 1776, not my favorite debut.

All the best

Professor

"...In 2008, in its waning months, the  Bush II administration offered NATO membership to Ukraine and Georgia, two former Soviet Republics on Russia's borders...." DK

Ukraine is not a "border" area in Russian history, any more than the Crimea, but rather its old heartland.

All the best

RE WHAT MAKES A NATION DK POST

 Professor

Re What makes a nation?

I think that The Nation of Israel, from the dawn of recorded history forward, is the locus classicus.

All the best

In the archaic human world, which went on for hundreds of thousands of years, it wasn't yet nations, but group 'self' determinations, at the point of an arrow or spear, or the thick end of a club.

Groups could be very small, or quite large, in archaic human times.

Their members were not on equalitarian social footings, hunter gatherers or not, contrary to Reich, Wade, and others', dicta. 

THEY LOVE THIS DELMONICO GIZZARD WELLINGTON: FOR ALL YOU DUDE COWBOYS OUT THERE

 

Tuesday, January 31, 2017

THE MENU DELMONICO GIZZARD WELLINGTON FOR TWO IMPROV

You could even do this, if you got a wild hair...

Use only the wide end of a boneless ribeye steak, called the Delmonico, 1.5 inches thick, bacon wrapped around the interior, and first grilled barely to rare, as Vontel would have, in preparation for the Wellington.

Use the gizzard pate, and gizzard gravy.

When this is ready to bake it should be about 2.5 inches high and about 6 inches across.

Bake only until the pastry is light brown.

Accompany this with only say a Caesar salad, green vegetable, etc. The Wellington pastry itself is already enough starch.

 

It's also too big a portion for one person...

Primates of Park Avenue: you can ask the chef in your local fine restaurant to prepare this for you. They may look at you rather strangely, but no matter. It would help if they already routinely serve Beef Wellington.

This post dedicated to Randy Fertel. He may think I am crazy.

BIG QUESTION SHOULD REMAIN WHY WOULD YOU OFFSHORE WEAPONS GRADE VIRLOGY RESEARCH TO CHINA IN THE FIRST PLACE?

HOW MANY AFRICANS OR ANYONE ELSE FROM ANYWHERE DO YOU WANT TO MIGRATE HERE?

 

BBC THE VIKINGS AREN'T WHO WE THOUGHT THEY WERE

I've never seen so much bullshit and David  Reich mixture hype in such a short vacuous uninformative video.

WEINBERG'S BRILLIANT ACCOUNT STILL HAS ITS SPOTS HERE OR THERE

 He gets a little unhinged V II, p. 271, regarding Goring accomodating Italy to repatriate South Tyrol Germans who choose not to be Italianized, analogized to Hitler's euthanasia program.

This is not a valid analogy, whatever else it may be. The fact that they were both groups of Germans is irrelevant. 

Moving willing Germans across a border back into Germany or Anschluss Austria, is not analogous to involuntarily euthanizing other Germans.

SEVENTH WORLD CONFERENCE OF THE COMINTERN WIKIPEDIA

The United States under FDR was rightly considered, by both fascists and non fascists, as opposed to any pact aimed against international revolutionary communism, because the United States itself was politically socialist, and Soviet leaning. 

The pact was also aimed at weak, leftist, and degenerate western democracies the US, France, and Britain.  Weinberg V II, p. 161.  

Germany wanted it aimed at the United States, Japan at Russia. 

Franco's regime wanted to avoid it, but had confronted both French and Soviet aid during the Civil War.

What really torqued Musso off, however, was France, electing a Jew communist in 1936, Leon Blum. See Weinberg, V II, 263.

It was rather a left wing Western trifecta: FDR, Blum, and MacDonald-Baldwin (Brit fake Conservative)

Chiang, incidentally,  got fucked in Asia by both the left and right, Britain, France, Russia, Germany, Japan, to bring Mao to power.

FDR, especially, fucked Chiang royally, in favor of a blatant communist Mao, by dictates sent down through his administration directly from Moscow. See Stalin's Secret Agents, Harry Hopkins, Solomon Adler, Drew Pearson, David Carr, John Service, Harry Dexter White, Lauchlin Currie, etc., 

See also: McJimsey, Harry Hopkins, Ally of the Poor and Defender of Democracy Secret asset of Stalin.