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Monday, April 24, 2023

THE HYPOCRISY OF THE NYT PHILOSOPHES OSTENSIBLY DEFENDING TO THE DEATH FOX IN DOMINION BUT THEN SURPRISE TUCKER IS GONE

 "In theory, the church had to be intolerant, for it was responsible to God for bringing the true faith to mankind.  In theory, the philosophers stood for the toleration of all beliefs and the free expression of all ideas.  In fact, however, the situation was less simple.  The philosophers were by no means willing to allow liberty to their opponents, not even to those who were far from representing the formidable power of the church.  Their method was not often the mild persuasion favored by liberals.  They talked much of reason, but their sharpest instruments were ridicule and vilification, which enabled them to throw off a man's arguments by defaming his character or belittling his intelligence.  La Baumelle went to jail, thanks partly to Voltaire, whose works he had ventured to criticize.  Freron, a conservative and Catholic journalist, was called by Voltaire, in a single work, a scribbler, scoundrel, toad, lizard, snake, spider, viper's tongue, crooked mind, heart of filth, doer of evil, rascal, impudent person, cowardly knave, spy, and hound.  He found his journal gagged, his income halved and his career ruined by the concerted attacks of the philosophers.  To silence him, at least two of these philosophers, Marmontel and d'Alemberte, appealed to the censors whose very existence the enlightened thinkers are supposed to have abhorred.  It is not possible, in short, to accept as characteristic of these thinkers the statement often attributed to Voltaire, that, though he disagreed with what a man said, he would fight to the death for his right to say it." Catholics and Unbelievers in Eighteenth Century France, pb, p 6.


"Though he disagreed with what a man said, he would fight to the death for his right to say it."

Friday, April 21, 2023

OXFORD SHAKESPEARE MUSIC



Dr. Michael Delahoyde


Washington State University

OXFORD AND MUSIC




Nothing is more astonishing in the whole history of music than the story of the English school of madrigal composers. The long delay of its appearance, lagging behind the Italian school by no less than half a century: the suddenness of its development: the extent of the output: the variety and the originality as well as the fine quality of the work: the brevity of its endurance, and the completeness with which it finally collapsed: all these features combine to distinguish the madrigal school as the strangest phenomenon in the history of English music. (Fellowes, qtd. in Kerman 255)"Fa la la" comes from the English madrigal, as in these lyrical examples.
Thomas Morley, "My Bonny Lass She Smileth." The First Booke of Balletts to Five Voyces, 1595.

My bonny lass she smileth
When she my heart beguileth. Fa la.
Smile less, dear love, therefore,
And you shall love me more. Fa la.

When she her sweet eye turneth,
O how my heart it burneth! Fa la.
Dear love, call in their light,
Or else you burn me quite! Fa la.This following idea perhaps derives from Guillaume de Machaut's "Hareu! hareu! le feu -- Helas! ou sera pris confors."
Thomas Morley, "Fyer, Fyer!" The First Booke of Balletts to Five Voyces, 1595.Fyer, fyer! my heart! Fa la.
O help! Alas! Ay me! I sit and cry me
And call for help, alas, but none comes nigh me!
Fa la.Here's a staple among madrigals. "Spring" is Ver; "Winter's sadness" would be triste d'hiver (?). Two Gentlemen personified; sides of One Vere.
Thomas Morley, "Now is the Month of Maying" The First Booke of Balletts to Five Voyces, 1595.Now is the month of maying,
When merry lads are playing, fa la,
Each with his bonny lass
Upon the greeny grass. Fa la.

The Spring, clad all in gladness,
Doth laugh at Winter's sadness, fa la.
And to the bagpipe's sound
The nymphs tread out their ground. Fa la.

Fie then! why sit we musing
Youth's sweet delight refusing? Fa la.
Say, dainty nymphs and speak,
Shall we play barley-break? Fa la.The English madrigal phenomenon resembles perhaps only, coincidentally, the Shake-speare phenomenon, as has been noted by Drs. Eric Altschuler and William Jansen. (Katharine Eggar was on this trail in the 1930s.)

In the Shakespeare Authorship Controversy, the leading candidate as an alternative to the traditionally identified illiterate grain-merchant from Stratford, the untenable Will Shakspere, is Edward de Vere, 17th Earl of Oxford, praised in the 1589 Arte of English Poesie "for Comedy and Enterlude"; by William Webbe in his 1586 A Discourse of English Poetry -- "the right honourable Earl of Oxford may challenge to himself the title of the most excellent among the rest" -- and in 1598 by Francis Meres in Palladis Tamia: "The best for comedy among us be Edward Earl of Oxford [et al.]." Where are these celebrated works? We think we have them, published under the pseudonym Shake-speare.

Similarly, composer John Farmer dedicates The First Set of English Madrigals in 1599 to Oxford:
I have presumed to tender these Madrigales onlie as a remembrance of my service and witness of your Lordships liberall hand, by which I have so long lived, and from your Honorable minde that so much have loved all liberall Sciences: in this I shall be most encouraged, if your Lordship vouch safe the protection of my first fruites, for that both for your greatness you best can, and for your judgement in Musicke best may: for without flattrie be it spoken, those that know your Lordship know that, that using this science [music] as a recreation, your Lordship have overgone most of them that make it a profession.

Additionally, "The accounts of the City Chamberlains record payments to travelling companies from 1584/85, when 6s. 8d. was paid to 'the Erle of Oxfordes musytians'" (Boas 19; cf. Hanson 95). What music were they supplied with?

John Soowthern likewise praised Oxford as "one expert in . . . music" (May 70). So how and where was this musical talent manifested? Did Oxford publish under pseudonyms other than "Shake-speare"?

The madrigal "burst into fashion at the English Court and with cultivated musical circles -- for, as a sophisticated art, its vogue was essentially aristocratic" (Whent par. 2).

Oxfordians, in particular Drs. Altschuler and Jansen, think it bears looking into the shadowy Thomas Weelkes -- "the most original madrigalist" (Whent par. 9), strongly influenced by Marenzio and known for chromatic melodic lines, experimental harmonies, dramatic expressiveness, a subtle and refined style (Gleason & Becker). "Weelkes had the most restless, exploring musical imagination of any, achieving greater extremes of expression within the compass of one madrigal, as well as width of human experience" (Whent par. 9) -- all assertions repeatedly made about Shakespeare. Altschuler and Jansen also suspect that Thomas Watson "may have been the primary pseudonym immediately preceding the use of 'Shake-speare'" ("Was Thomas Watson" 13); check out the acrostic in Shake-speare Sonnet 76, as pointed out by "everyone's favorite Marlovian," John Baker, at the 2004 Edward de Vere Studies Conference ("Was Thomas Watson" 16). And Altschuler and Jansen suspect the Shakespearean hand behind others too.

English madrigals were heavily influenced by Italian madrigals in the same way, some decades earlier, that sonnets developed from the Italian ("Englished" by Wyatt and Surrey, the latter an uncle of Oxford) to the "Shakespearean." The party line holds that "Unfortunately there was no Shakespeare among the purveyors of words for the Elizabethan madrigal; yet in their poems there lives something, all the same, of that unfettered relationship to Italian models which we admire in Shakespeare's comedy" (Einstein 77). The key madrigal publications in England were Musica Transalpina (1588) and Italian Madrigalls Englished (1590).

Nicholas Yonge, the publisher of Musica Transalpina mentions in his introduction that the works themselves were not translated by him but by an unidentified "gentleman who had kept these works for his own pleasure: a very honorable personage and now a Councillor of state" (qtd. in Whent par.3); and "the book represented the taste of English music-lovers for the serious-minded, the earlier style of Marenzio, not the later, more extreme" (Whent par 3). Marenzio is the main influence behind the 1590 publication of First Set of Italian Madrigals Englished.

The translator or adapter of Italian Madrigalls Englished was Thomas Watson, whose name is connected with Hekatompathia: or Passionate Century of Love, the 1582 sonnet collection to which de Vere is also inextricably tied. There is no evidence that Watson traveled to Italy. De Vere was known, even ridiculed, for his zeal over all things Italian after his travels there in the mid-1570s. Most works in the Englished collection were composed by Luca Marenzio (1553-1599), who seems to have stayed with his teacher, Giovanni Contino, with the Gonzaga family in Mantua from 1568 to 1574. [This significant link was brought to my attention by a former WSU Shakespeare student and music major, Christopher Wang.] De Vere, during his Italian travels, seems to have stayed there too with the Gonzagas when he was in Mantua (visiting the tomb of Giulio Romano and the stomping grounds of Baldassare Castiglione) since the description of the Trojan paintings in Lucrece originates with murals in a room in the Gonzagas' ducal palace. Either de Vere and Marenzio met, or Marenzio's musical presence (and music itself) was still saturating Mantua. Presumably, Oxford brought Marenzio's works back to England, "transalpina."

Another person of interest, maybe the musician of most interest, is Thomas Weelkes. Despite the general insistence that madrigalists did not set Shakespeare to music, Weelkes is credited with a piece titled "Kiss Me, Kate." And a 1597 collection of his madrigals includes as lyrics an uncredited poem, #17, from The Passionate Pilgrim about which some say there is no reason to doubt a Shakespearean authorship (Chiljan 94). The most lavish praise for Weelkes centers on
the most astonishing of madrigals, 'Thule, the period of cosmography', and 'The Andalusian merchant'. These last, with their fantastic descriptiveness, the musical leaps from Hecla's fire to 'frozen climes', the references to cochineal and china dishes and 'how strangely Fogo burns', throw the mind back to the world of the Madre de Dios with its cargo of cochineal, the Chinese Ming porcelain that came into Burlegh's possession and, tricked out in Elizabethan silver garnishing, is to be seen now in the Metropolitan Museum in New York. It is not fanciful to see the physical expansion of their world reflected in the explorations and discoveries of their minds. (Whent par. 9)THULE, THE PERIOD OF COSMOGRAPHY
Thule, the period of cosmography,
Doth vaunt of Hecla, whose sulphureous fire
Doth melt the frozen clime and thaw the sky;
Trinacrian Etna's flames ascend not higher:
These things seem wondrous, yet more wondrous I,
Whose heart with fear doth freeze, with love doth fry.

The Andalusian merchant, that returns
Laden with cochineal and china dishes,
Reports in Spain how strangely Fogo burns
Amidst an ocean full of flying fishes:
These things seem wondrous, yet more wondrous I,
Whose heart with fear doth freeze, with love doth fry.The final phrases concerning freezing and frying also echo a bit in The Taming of the Shrew (II.i.338). Thule comes from the Second Set of 1600, which "virtually closed Weelkes' marvelous madrigal output" (Whent par. 12). So, as with the traditional view of Shakespeare and almost nowhere else in cultural history, we have here another artist who at the height of his accomplishments and powers simply "retires" and leaves his artistry behind. "His life went into decline; whether alcoholism was the cause or consequence is not known" (Bartlett 378). His rapid decline coincided with the end of the Earl of Oxford.



Works

Altschuler, Eric Lewin, and William Jansen. "Gentlemen at Large: Musica Transalpina and Marenzio's Interpolator." Musical Times 144 (Winter 2003): 20-27.

- - -. "Men of Letters: Thomas Weelkes's Text Authors." Musical Times 143 (Summer 2002): 17-24.

- - -. "Thomas Weelkes and Salamone Rossi: Some Interconnections." Musical Times 145 (Autumn 2004): 87-94.

- - -. "Was Thomas Watson Shake-speare's Precursor?" The Shakespeare Oxford Newsletter 40.4 (Fall 2004): 1, 13-16, 24.

- - -. "Wondrous Weelkes: Further Aspects of Thule." Musical Times 144 (Spring 2003): 40-43.

Bartlett, Clifford, ed. Madrigals and Partsongs. NY: Oxford University Press, 2001.

Beck, Sydney. "The Case of 'O Mistress mine.'" Renaissance News 6.2 (Summer 1953): 19-23.

Boas, F.S. Shakespeare and the Universities. Folcroft, PA: The Folcroft Press, 1903. Rpt. 1969.

Brett, Philip. "The Two Musical Personalities of Thomas Weelkes." Music and Letters 53.4 (October 1972): 369-376.

Brown, David. Thomas Weelkes: A Biographical and Critical Study. NY: Frederick A. Praeger, Pub., 1969.

Chatterley, A. "Thomas Watson: Works, contemporary references and reprints." Notes and Queries n.s. 48 (September 2001): 239-249.

Chiljan, Katherine. Shakespeare Suppressed: The Uncensored Truth about Shakespeare and his Works. San Francisco: Faire Editions, 2011.

"Does the early work of Edward de Vere, 17th Earl of Oxford, reveal that he wrote songs as well as verses?" Edward de Vere Newsletter #18. drk.sd23.bc.ca/DeVere/Oxford_Poems_and_Songs-18.pdf.

Duffin, Ross W. Shakespeare's Songbook. NY: W.W. Norton & Co., Inc., 2004.

Eggar, Katharine. "The Seventeenth Earl of Oxford as Musician, Poet and Controller of the Queen's Revels." Proceedings of the Musical Association 61 (1934-35): 39-59.

Einstein, Alfred. "The Elizabethan Madrigal and 'Musica Transalpina.'" Music and Letters 25.2 (1944): 66-77.

Fellowes, Edmund H. The English Madrigal. London: Oxford University Press, 1925.

- - -. The English Madrigal Composers. Oxford: Clarendon Press, 1921.

Gleason, Harold, and Warren Becker. Music in the Middle Ages and the Renaissance. 3rd Edition. Frangipani Press, 1981.

Hanson, L.W. "The Shakespeare Collection in the Bodleian Library, Oxford." Shakespeare Survey 4 (1951): 78-96.

Kerman, Joseph. The Elizabethan Madrigal. NY: American Musicological Society, 1962.

May, Steven W. "The Poems of Edward de Vere, Seventeenth Earl of Oxford and of Robert Devereux, Second Earl of Essex." Studies in Philology 77 (Winter 1980): 1-132.

Philipps, G.A. "Patronage in the Career of Thomas Weelkes." Musical Quarterly 62 (1976): 46-57.

Price, David C. Patrons and Musicians of the English Renaissance. Cambridge Studies in Music. Cambridge: Cambridge University Press, 1981.

Rutter, John. CD Notes. Flora Gave Me Fairest Flowers: English Madrigals. Cambridge Singers. London: Collegium Records, 1987. COLCD 105.

Ward, John M. "Music for A Handefull of Plesant Delites." Journal of the American Musicological Society 10.3 (1957): 151-180.

Watson, Thomas. The Complete Works of Thomas Watson. Ed. Dana F. Sutton. Edwin Mellen Press, 1996.

Weelkes: Madrigals & Anthems. The Consort of Musicke, dir. Anthony Rooley. London: Gaudeamus, 1999. CD GAU 195.

Whent, Chris. "The English Madrigal." Here of a Sunday Morning. http:www.hoasm.org/IVM/EnglMadrigals.html.

Yonge, Nicholas. Musica Transalpina: madrigales translated for foure, fiue and sixe parts, chosen out of diuers excellent authors, vvith the first and second part of La Verginella, made by Maister Byrd, vpon two stanzas of Ariosto and brought to speake English with the rest / published by N. Yonge, in fauour of such as take pleasure in musick of voices. London: Thomas East, 1588.



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Tuesday, April 18, 2023

WHITE PEOPLE

 Whit4e liberals are guilty.

They know they are guilty.

They don't know exactly why, but they been told 

'They been told by the New York Timews, they been told by the local paper, they been told by their childs' teacher.

They know they're guilty.

IT'S ALWAYS GOOD TO RECALL THE KITTY GENOVESE STORY GOING FORWARD

 NYT:

Opinion Today: What’s true crime without the ‘truth’ part?

Monday, March 27, 2023

CLASSIC BLAST I MISSPELLED LERER FREUDIAN SLIP! I WAS THINKING OF LISA WOKE STOKELY HEBREW KAMALA HINDU HATER NYT LERER BABY!

 

Monday, January 4, 2021

BRYAN STOKELY LERER WNYC MEETS THE GENIUSES

 BRYAN LERER WNYC MEET THE GENIUSES

https://www.wnyc.org/story/meet-geniuses-102220/


CHILD PRODIGIES IN TIME AND SPACE

https://creativity-via-sociology.blogspot.com/2020/12/child-prodigies-in-time-and-space.html

Take your pick.

Take a shot.

Either way, it is all good here, baby!

Friday, March 10, 2023

AMERICA'S MOST DANGEROUS MYTH IS THAT THE NYT CAN FIX THIS

 WHATEVER IT MAY BE.

THEY HAVE BEEN CHANTING THIS MANTRA FOR DECADES NOW.

WE CAN FIX THIS.

Saturday, March 4, 2023

NYT JEWS AND WHITE STOKELY STOOGES COME DOWN HARD ON DESANTIS AND FLORIDA BILL FIRST AMENDMENT THEY HAVE LONG RAMMED UP AVERAGE CITIZENS' ASSES

Freedom of speech has long only been free when The Hebrew The 1619 Project Woke George Floyd negro stooge NYT has published it.

Trump had tried to give the NYT a Republican,  anti liberal, State of Israel voter Democrat voter wedgie talking point, which Thomas L Friedman, for the NYT Board, very did not like!

Terms search this site: wedgie, TLF

If you don't think the 'liberal' NYT is also secretly behind Israel, and Netanyahu, not just behind the hebrew President of Ukraine and his staff, behind the screen, you are in gentile La La Land.

As Hannah Arendt put it, they are a Jewish conspiracy in plain sight.

Terms search: Arendt

Just to illustrate for you: Charles M. Blow is, putatively and demonstrably, in Arendt's terms, a relatively low level, self outed queer, mulatto negro, NYT stooge.

Thursday, March 2, 2023

THE WOKE REVOLUTION DK POST

 Sunday, February 12, 2023

The Woke Revolution

 On Friday Bret Stephens of the New York Times devoted his column to a new report from the Walter Cronkite School of Journalism and Mass Communication entitled "Beyond Objectivity: Producing trustworthy news in today's newsrooms."  The report was written by Leonard Downie, long-time editor of the Washington Post and one of the youngest members of the Silent Generation, and Boomer Andrew Heyward, formerly the president of CBS news.  (For the record, although I'm pretty sure I have never met Downie face to face, he was for many years the boss and close collaborator of my brother Robert.  I have purposely avoided discussing his co-authored report with my brother before writing this post for that reason.)  In this piece these two venerable pillars of the journalistic establishment endorse the intellectual and social revolution that has swept their profession (and mine) over the last few decades.  I call it the Woke Revolution and I am trying to explain, with their help, what it means.

I am going to begin by defining objectivity myself.  I think that it means doing the best job that one can of basing statements on verifiable facts while avoiding the natural tendency to search for facts that validate one's own preferences and ignore ones that do not.  I agree that no one, yours truly included, can do that perfectly, but some people can do it much better than others, and one will do a much better job of it if one makes an effort to do it.  In addition, I think that in reporting the news or writing history, the words of people in authority--whether political, economic, religious, or anything else--deserve to be reported as they said them.  They may not be true, and journalists also should introduce verifiable data to show that they are not, but they are news,  because of  the power of the people who uttered them.  They inevitably have a real significance that the words of ordinary citizens (a category in which I include myself) do not.  You cannot understand what is happening in the world now, or what happened in the past, if you do not pay attention to them. And we are not going to invent a world without authority.

Now let's turn to what objectivity means in today's newsrooms.  Downie and Heyward interviewed a lot of editors and reporters in newspapers, television, and on websites, and many of them had something to say about this.  In fact, most of them had the same things to say about this, and I'm going to quote them exactly--because what they had to say is news.

"The mainstream media 'has allowed what it considers objective truth to be decided almost exclusively by white reporters and their mostly white bosses,” Wesley Lowery, an influential 32-year-old Black Pulitzer Prize-winning journalist, has written. 'And those selective truths have been calibrated to avoid offending the sensibilities of white readers.'

"'I’m not arguing for subjectivity,' Lowery said in an interview for this report. “I’m actually whole-heartedly endorsing objectivity as properly defined; the argument is that, in practice, that’s not what it is.'"


"Kathleen Carroll, former executive editor of the Associated Press, said she has not used the word objectivity since the early 1970s because she believes it reflects the world view of the male white establishment. 'It’s objective by whose standards? And that standard seems to be white, educated, fairly wealthy guys,' she explained. 'And when people don’t feel like they find themselves in news coverage, it’s because they don’t meet that definition.'"


"Andrew Mendelson, associate dean of CUNY’s Craig Newmark School of Journalism, agreed that the standard of objectivity has been used to reinforce the status quo in news coverage. 'You could then throw a word like objectivity around and say, ‘Well, that’s not objective.’'  he said. 'That’s a quick way of shutting down and sending a message that this is not suitable. That’s a very good power dynamic in the word objectivity. It’s the same as saying, ‘You’re being an advocate,’ and that quickly shuts down any dissent.'”

 "'The journalist’s job is truth, not objectivity,' said Neil Barsky, founder of The Marshall Project, an influential nonprofit news organization that investigates the criminal justice system. 'It is getting close to the reality, notwithstanding that we all have biases and passions.'"

“'Objectivity' is news coverage “through the lens of largely white, straight men,” said Emily Ramshaw, 40-year-old co-founder of The 19th national news website, the stated mission of which is 'to elevate voices of women, people of color, and the LGBTQ+ community.' 'The 19th is light years away from my early career clinging to the myth of objectivity,' Ramshaw said in an interview.  'The voices in stories were overwhelmingly white and male,' she explained, 'as well as the leadership and decision-making in most newsrooms.'


"When asked whether a relatively recent increase in female top editors and executives of news media has produced any change from 'white male' dominance of newsrooms, Julia Wallace, a Cronkite School professor and former editor of The Atlanta Journal-Constitution, said, 'Not really. When women are in charge, there is not that much change. Women who made it to the top were operating by men’s rules.

"'Objectivity was wrong, a failed concept,' she said. “It was a mistake to head down the path of dishonest objectivity.'

"As an example, she cited a history of racist reporting about subjects like lynchings in the South. 'We pretended we were printing the truth when we were seeing the world through a certain lens.' Wallace added, 'Now, it has to be about changing the culture.'"


“'The consensus among younger journalists is that we got it all wrong,' Emilio Garcia-Ruiz, editor-in-chief of The San Francisco Chronicle, said in an interview. 'We are the problem. Objectivity has got to go.' The younger journalists in the Chronicle newsroom 'are a very diverse group,' Garcia-Ruiz explained. 'They are willing to share their lived experiences to call out bullshit, despite their status in the newsroom. There can sometimes be a chasm between them and the older veteran reporters.'"


And Sally Buzbee, Downie's successor as Executive Editor of the Washington Post, concludes a relatively balanced statement about balancing advocacy and journalism by stating that she no longer uses the word objectivity “because it has become a political football. If the term objectivity means the world view of middle-aged white men, it has become attacked as a word that is used to keep the status quo.”

The report also documents the increasing diversification of newsrooms, to which the rejection of objectivity as an older white male strategy is obviously closely related. Its photographs make the same point. Of 33 photos of newsroom personnel, only 8 appear to be white males. 

It is clear, I think, that these quotes represent the same view that lies behind postmodernist literary and historical writing and critical race theory.  Objective truth does not exist, because every demographic has its own truth, which it deploys in a contest for power.  As Joan Scott wrote back in the 1990s in a passage I quoted a few weeks ago, we now "understand" contests about knowledge to about the interests of groups, not the opinions of individuals.  Every particular group, defined intersectionally (if you'll forgive the expression) by race, gender, and sexual orientation, has its own truth, which is entitled to equal representation, regardless of the size of that group.  And the only way to undo straight white male dominance is to lessen the numbers and influence of straight white males in newsrooms and universities  and to let the remaining ones know that it is their turn to be marginalized.

Let me simply list a few things that I think are wrong about these views.

To begin with, the idea that straight white males have monolithically maintained their dominance over other groups--that that has been their main priority over the centuries--is historically ludicrous.  Yes, for longstanding cultural reasons that can be observed all over the world, men dominated most institutions for many centuries in the western world.  The change in that situation began and has gone by far the furthest within western civilization, and western civilization has done the most to spread it to other parts of the globe.  If oppression were the first thing on their minds, white males would never have passed and ratified the 13th, 14th, 15th and 19th amendments.  Meanwhile, the bulk of political conflict in the west has been among different groups of white males  divided by religion, language, or, most commonly, by their ideas.  

The same point applies to previously disadvantaged groups as well.  The pressure on newsrooms and the earlier pressure on academic institutions comes from a minority of ideological activists among women, minorities, and those who are not heterosexual and who deny that gender is biological. Those activists often hold views quite at odds with the majority of their demographic group, as well as the majority of the US population.  Coleman Hughes has just pointed out, not for the first time, that at the height of the protests over George Floyd's murder, far greater numbers of black Americans wanted more police in their communities, not less. Polls show a very small gender gap between men and women on the abortion issue.  Some women, many of them lesbians, resent the claims of transgender women to female status.  

That leads me to a third point.  At the Dallas conference that I participated in last May I met the black conservative Shelby Steele, who insisted, not for the first time, that racism is no longer a serious problem in the United States and that the biggest problem in the black community is a refusal to compete with everyone else on equal terms.  "When people talk about race in this country," he said--again, not for the first time--"they are talking about power."  The same, I think, is true about gender. 

Last, but not least, I think that woke historians and journalists are missing the point, really, of what their professions are about.  They are opportunities to immerse one's self in something much bigger than one's self--which for me has always been a profoundly liberating experience.  They are also an opportunity to put the true interests of a university or a newspaper--which I would argue are advancing knowledge and providing information--above one's own personal interests.  Instead, today's activists--who now enjoy the support of plenty of straight white males who have decided to go with the flow--believe that their institutions must reflect their personal views and concerns at the expense of those of others.  The accusation that that is how straight white males have always done things is a false projection.  I would also point out that the era of the great progress for minorities and women in particular coincided with the greatest popularity of objectivity, the middle of the twentieth century.  That progress depended on a single objective fact: that treating whites and blacks or men and women unequally was simply wrong.  Most Americans came to accept that fact--but they will not accept reparations for slavery or the idea that gender is entirely a social construct.

In the end, two elderly straight white males--Downie and Heyward--endorse the new revolution.  After recommending some specific guidelines for newsrooms, they close as follows:

"What we hope ties these guidelines together is our own core belief that journalism must address the needs and aspirations of our increasingly diverse society more effectively than it has in the past.

"That means striving to reach not only an audience, but all audiences, and no longer with one-size-fits-all, traditionally white male 'objectivity,' a journalistic concept that has lost its relevance. It means avoiding replacing that with some new rigid orthodoxy, which could also impede accurate and fair reporting. It means building a newsroom that reflects the communities it serves and embraces diversity to provide strong, more accurate and responsible journalism.

"Producing trustworthy news for the communities of today requires a new kind of news leader, committed to the kind of newsroom we have described and confident enough to replace yesterday’s top-down model with an inclusive culture in which ideas can bubble up from anywhere – and the best of them can flourish."

Unfortunately one cannot dispense with objectivity without giving way to orthodoxy. Those are the only alternatives.  Objectivity, is is true, forced scholars and journalists not to yield to their own emotions, and often led to conclusions that they might prefer to reject.  The alternative, however, is to ignore the facts, and that is what happens, increasingly, in the treatment of highly politicized issues like criminal justice and police shootings.  About a dozen family members of black victims of those shootings attended the State of the Union address as guests of the President or legislators, but it did not occur to any major newspaper to ask why the much larger number of family members of white victims of such shootings were left out.  Poverty and economic inequality are enormous issues in this country, but one cannot understand or correct them by focusing on race or gender because they affect all races and genders.  These are facts which woke activism must ignore.  I do not think that the remaining Orwellians among us--in the true sense--can stop the woke revolution.  It has gone too far and it is particularly strong among the younger generations.  It is linked to other broader trends in modern history. Christopher Lasch defined the "Me Decade" in the 1970s, and we are now in the Me Century.  But I don't think it does any good to pretend that it is a good thing, or to deny that it has done a great deal of harm to western values and will do more.  Things will eventually change, but it may take a very long time.

RE WOKE AND DK POST

 Professor

The NYT,  and other liberal organs, for their mostly off white Jewish political and cultural interests, have foisted The 1619 Project and Woke on Stokely white stooge (Hannah Arendt's term) America, and on the world. 


The outside world of colors is a very diffeent world from so called Afro America negro (not black or African enough, as Africans themselves say) culture.


All the best

Sunday, February 26, 2023

RE UKRAINE DK POST

Professor

Ukraine is a nationalist nightmare building since the 19th Century, now run by West oriented rightist Jews.

Why candy coat this proxy battleground monstrosity?

All the best

We adopted our daughter from there, 23 years ago. 

It was a complete and utter piece of shit then.

It is a much bigger, and rapidly ballooning, piece of shit, now.

The expulsion of displaced radicalized Ukrainians throughout the West is frankly almost as bad, but just another domino to drop, as the ongoing and unstoppable racial inundation of the West by Africa negroes, Hindus now in enormous numbers, and Asians in superabundance.

Saturday, February 4, 2023

CLASSIC BLAST FROM THE PAST

 

Saturday, March 9, 2019

COMMENT RE DK WORDS OF WISDOM POST THE RETURN OF THE OPPRESSED


Monday, January 30, 2023

IT ALSO TELLS YOU WHAT NYT JEWS HAVE ALWAYS THOUGHT OF THEIR CUSTOMERS:

Remote firing tells us what employers really think of workers.....

It also tells everyone who is listening what workers think of employers.

A world lit only by fire.

THEY, WORKERS, ARE VERY REMOTE, UNCLEAN ANGLOS, AND QUITE EXPENDABLE PIECES OF READERSHIP SHIT,
READERSHIT, FOR THE NYT, OR ANYONE ELSE,
ANGLO WHITE STOOGES FOR NYT JEWS OR FOX GENTILES.

THE NYT KITTY GENOVESE STORY SCANDAL, FALSELY AND FRAUDULENTLY THROWING ALL NON JEW AMERICANS UNDER THE ORIGINAL SINNER 1619 PROJECT GENTILE GUILT TRIP JEW SCORN BUS, 

KITTY GENOVESE ALSO DIED "REMOTELY" ACCORDING TO THE NYT ARTICLE, SURROUNDED BY INDIFFERENT ANGLOS.

THE STORY IS ONLY ONE OF THE MORE GLARING EPISODES OF WHAT REALLY AND TRULY HAPPENS DAILY, DAILY @ NYT, OR FOX, ETC!

Sunday, January 29, 2023

NATO HAS ALWAYS BEEN A FUCKING PIECE OF SHIT IDEA THAT IS NOW GROWING LIKE A LIBERAL QUEER CANCER

 


IF YOU CANNOT EVEN PROTECT YOURSELVES FROM AFRICA NEGROES 
IN THE MILLIONS, 
HINDUS IN THE MILLIONS, 
AND MUSLIMS IN THE MILLIONS, 
FROM POURING INTO EUROPE 
ON YOUR LIBERAL DUMB ASSES, 
WHY THE FUCK ATTACK RUSSIA?

Wednesday, January 25, 2023

THE NYT TRADITION IS TO USE NEGROES AS STOOGES AND PROXIES FOR JEWS GETTING PERSECUTED THEY MAKE USE OF WHITE GENTILE STOKELY STOOGES

 Prince Harry is now the anointed white Stokely Stooge In Chief in the Jewish NYT racist CRT, WOKE, Wokely Carmichael, 1619 Negroist American History PROJECT stable.

Tuesday, January 17, 2023

Tuesday, December 27, 2022

Monday, December 26, 2022

ETHNIC AND RACIAL GANGS FROM ALL CONTINENTS ARE NOW SETTING UP THROUGHOUT THE WEST NOT JUST NORTH AMERICA

 Big money, and easy liberal laws.

CRIMINAL JUSTICE DK POST ETC

 Professor

The "Chicanos" are increasingly declaring war on urban negroes, and others, in many places, and vice versa.

Especially in California, where an old friend of mine lived. 

The Chicanos will tell you you have to incarcerate more negroes: HELLO!

Sometimes they are near the top of the political spectrum, and on the center right, sometimes they are just down there in the neighboring neighborhood, speaking broken or no English, much less negro slang.

This is a country ripe for very widespread race and ethnic violence. Always has been.

All the best

Saturday, December 24, 2022