But it was hardly a surprise, unfortunately, to find that the manager and backers of Madonna,
and her sacrilegious decadence, are Jewish American, and Israeli, interests and charities.
Perhaps Gaga's reductionist sacrilegious and decadent follow- up career is similarly backed?
Perhaps themes here can be seen as related to themes broached today re cultural and market values, and my reference to Randall Collins' works.
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